摘要
对很多人来讲,民间、民族音乐是一个对应民族文化与原生文化环境,既亲近又遥远的精神世界;一个奇异、欢乐、充满天真而又迷人的人天合一、浪漫自由的与生活合一的精神时空;在其简易、不易、变易的历史长河中,实用与审美并存,显示出质朴天真、充满活力的精神特质,千百年来陪伴着各民族同胞在自然之苦的生态环境中挣扎、平衡、和谐、生发;承载着生活与精神的协调,表现着人们的文化心理、民族性格和审美理想;在生活中鼓舞着生存和创造的勇气与力量,也给人们带来圆满的笑声、意趣和希望。
For many people, folk music and national music make up a spiritual world that is both inti- mate and far corresponding to its respective national culture and original cultural environment. This is a spiritual temporal space combining man, nature and life. In its history, practicality and aesthetics coexist with the manifestation of simplicity and vitality. This kind of music carries with it the cultural psychology, national personality and aesthetic ideals of the people.
出处
《扬州大学学报(人文社会科学版)》
2014年第6期103-110,共8页
Journal of Yangzhou University(Humanities and Social Sciences Edition)