摘要
"评点"在中国戏曲(批评)史上饰演着多元"角色",它与戏曲"创作"、"演出"、"传播"、"批评"都存在着密切关系。以(文学)"批评"释解戏曲"评点"狭隘了"评点"的历史内涵,戏曲评点研究应该置入文化视域之内,而全面、客观地认知戏曲评点的多元角色则是评点之文化研究的基础。
Commentaries play multiple roles in the history of traditional Chinese Drama, and relate to creating, performing, spreading and criticizing closely. If commentaries on theater performances are just expounded from the perspective of literature criticism, the historical connotations of commentaries would be narrowed down. Therefore, studies on commentaries should be put in the context of cultural perspective and work on the overall and comprehensive roles of commentaries.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2014年第6期72-72,73-82,共11页
Drama:The Journal of the Central Academy of Drama
基金
教育部社科研究基金青年项目"清代戏曲评点史论"(项目编号:14YJC751054)的研究成果之一
