“一曲入数调”之探微

Studies on the Tune of “Yi Qu Ru Shu Diao”

元杂剧中有"一曲入数调"的现象。元人论著中已有所论及,不过所论及的"入数调"的数量并不多。而在《元刊杂剧三十种》中此现象却较为普遍,而且"一曲入数调"也从元人论著所论及的入"两调"发展到入"三调"、甚至是入"四调",体现了曲牌能根据感情的变化而变化,以符合实际演唱。

The tune of “Yi Qu Ru Shu Diao” was set in Zaju plays of Yuan Dynasty, and it also has been mentioned in books written by scholars in Yuan Dynasty. But in those books, the tune was not always expounded. According to The Collection of Thirty Zaju Plays of Yuan Dynasty, the tune was frequently discussed and was developed from setting “two tones” into setting “three tones” even setting “four tones”, which indicated the tone of “Qu Pai” could be changed to accompany the emotional movement of the characters in the plays.