摘要
音乐感知研究发现,多数人会出现显著的加工偏好。音乐感知"整体—局部"加工偏好的行为与生理依据的相关研究表明,音乐感知研究经历了三种范式的变迁。总体上,听觉通道中存在整体加工偏好和局部干扰,听觉加工中具有时间与效率的水平启动效应,视听通道的整合具有一致性效应。但是,在视听类比中又存在视听刺激的时序性差异和语义启动的可能,并由此引发相关记忆与情绪。音乐感知研究需要注重范式、取向的多维度,尝试在"跨通道间代偿"假设下进行研究。
The researches of music perception find that most people show their notable processing preferences.The related re-searches on the behaviors and physiological basis show that, the study of music perception has undergone the changes of three para-digms.In all, there exist global processing preference and local disturbance in auditory channel, and the effect of time and efficiency level starts in audio processing, and the integration of audio-visual channel has congruent effect.But, there are time sequence differ-ence of AVSS and possibility of semantic priming in Audio-Visual analogy, which initiate related memory and mood.The study of music perception need stress the multi-dimension of paradigms and orientation, and try to study on the hypothesis of Cross-Channel compensation.
出处
《渭南师范学院学报》
2014年第24期72-78,共7页
Journal of Weinan Normal University
基金
陕西省教育厅科学研究计划项目:<史记>音乐文化研究(13JK0497)
关键词
音乐感知
整体-局部
加工偏好
music perception
global-local
processing preference