叙述者:《神曲》中的“但丁”与他者

The Relators: "Dante" and the Others in The Divine Comedy

现代叙述学理论注重对叙述者的探讨,《神曲》的时代解读也呼唤现代文艺理论的实践运用而衍生新意。对《神曲》叙述者的阐释主要分为三方面:一是作为叙述者、人物、隐含叙述者的"但丁"的关系及叙述者类型归属;二是叙述者"但丁"与引路人、亡灵、读者的多重对话叙述模式中不同的叙述声音;三是《神曲》不同叙述者的互补承担叙述者职能。

Much attention is paid to the discussion of the relators in modem narratology. Whatg more, the modem interpretation of The Divine Comedy calls for the modem literary thoefies which application to it will lead to its new meaning. The analyses of the relators in The Divine Comedy are mainly on the following three aspects： the relation- ship among ＂ Dante＂ as the relator, the character, the hidden relaor and the types of the relators; the different relation styles of ＂ Dante＂ as the relator in his multiple dialogues with the guide, the ghost and the readers; the complementary relator functions of the different relators in The Divine Comedy.