摘要
当代通草画、贞观香绒画,是福建石狮"吴氏艺术之家"所创立,被人们誉为民间工艺美术花园里的一朵"姐妹花"。若要"两画"在艺术百花园中永放异彩,应认真探求其在市场经济中的需求与价值取向,并要注重在观念、技艺和培育的创新,让"两画"在推陈出新中更加充满生机与活力。
The contemporary Rice-Paper drawing and ZhenGuan Xiang Velvet drawing were created by " Wu Art House" in Shishi, Fujian province, praised as the "Sister Flowers" in folk arts and crafts area. If we want to let the artistic values of them to be eternal, we should explore the value orientation and requirements of them in the market ,and we also need to focus on the creation of cultivation ,technology and conception, so that to make "the two drawings" to be much more vital and vigorous.
出处
《雕塑》
2014年第6期44-45,共2页
Sculpture
关键词
通草画
贞观香绒画
价值取向
创新发展
Rice-Paper drawing, ZhenGuan Xiang Velvet drawing, value orientation, creative development