河西走廊魏晋墓室壁画砖饰艺术研究——以高台县骆驼城遗址为例

A Study of Paintings and Carvings on Decorative Tomb Bricks from the Wei and Jin Dynasties in Hexi Corridor——Taking the Ruins of Camel City in Gaotai County,Gansu Province as an Example

魏晋时期的画像砖墓集中发现于甘肃河西走廊的中西部地区,其中,高台、酒泉、敦煌地区的壁画墓和画像砖墓不仅最为集中,而且数量最多,时间延续最长,在我国古代壁画和画像砖艺术中独树一帜。高台骆驼城魏晋墓葬出土的以神话、农业、牧猎和社会文化生活等方面为题材的壁画砖,用笔简洁,线条随意潇洒,用色也极为简练朴实,再现了魏晋时期河西地区农业开发、民族融合、丝绸之路畅通的历史画面及画像砖从中原到河西地区的时空转移和艺术形式变化。

Painted and sculptured tomb bricks from the Wei and Jin Dynasties are extensively excavated in the mid-west areas of Hexi Corridor in Gansu, a northwest province in China, among which the painted and sculptured tomb bricks in Gaofai County, Jiuquan City and Dunhuang City are the most concentrated, biggest and time-spanning collections, which own the unique style in the art of ancient Chinese fresco and decorative bricks. The paintings and sculptures on the tomb bricks, excavated from the Ruins of Camel City in Gaotai County, are characterized by succinct strokes, neat, liberal lines, and their colors are apparently simple and pure, with myths, farming, hunting and other aspects of social and cultural life as themes. The painted and sculptured bricks retell the story of agricultural development in Hexi areas, the integration of nationalities, the vibrant Silk Road during the Wei （220-265 A.C） and Jin Dynasties （265-420 A.C）, they represent a space- time transfer from central China to Hexi areas in northwest China and the transformation in art forms.