时代的悲歌 女人的悲剧——论小说《白鹿原》的电影改编

The Tragedy of the Era,the Tragedy of the Women——The Discussion about Film Adaption of“Bai Lu Yuan”

著名作家陈忠实的长篇史诗巨著《白鹿原》经过导演王全安的改编被搬上了荧幕。电影《白鹿原》成功表现了陕西关中地区浓郁的地域文化特色、厚重的人文意蕴。但在大量压缩原著情节,改变原著叙事结构,删减原著主要人物,把次要人物变为主要人物,对细节进行移植改造,有效强化了电影情节性、可看性的同时,弱化了原著的时代性,电影的主题表现——时代的悲剧、女性的悲剧,削弱了原著的精神意义和思想价值。

“Bai Lu Yuan”,famous writer Chen Zhong-shi’s epic masterpiece ,adapted by director Wang Quan-an has presented on the screen.The movie successfully shows the rich cultural character-istics as well as heavy humanity implication of Shaanxi Guanzhong plain.In addition,the film mainly includes the following adaptation comparison with the original：severely compresses of the plot, change the narrative structure,delete the main characters making the secondary characters into the main and transform the details,thus effectively strengthening the plot and visibility of the movie.But at the same time,the theme of the movie-the tragedy of the era,the tragedy of the women,not only weakens the era but also avianizes the spirit meaning and ideological value compared with the original.