论安徽花鼓灯的艺术构成及其审美文化特征

Regional culture characteristics of flower drum lantern art and in the cultural construction of new countryside value

花鼓灯作为一种融歌、舞、戏于一体的地方传统民间艺术,是淮河地域文化的杰出代表之一。在其发展的漫长过程中,深受淮河流域人们的文化传统、审美习惯的影响,呈现出斑斓浓烈的地方文化色彩和强大的艺术魅力。安徽花鼓灯艺术奔放的人物角色、铿锵的锣鼓鼓点、劲道的舞蹈动作、婉转的灯歌小戏、灵动的布巾绢扇,形成了独特而鲜明的艺术风格,以"秀美、壮美、华美、优美、精美"五美并举的形式揭示安徽花鼓灯艺术的审美特征。

As a folk art prevailed on both sides of the Huaihe River, the Flower Drum Lantern has both an artistic feature of being rich in expressing content, complex in performing forms, and enthusiastic with acting style, and a transitional cultural background which is compatible with both the north and the south regions. Since it contains the cultural viewpoint of free and unfettered Taoist adaptability to and taking advantage of different circumastances, is rich in multi factors in nature, history, society, and culture, reflects the people＇s peculiar lifestyle, morality, psychological quality, thoughts and feelings, the Flower Drum Lantern is deeply loved, and highly and culturally identified by the broad masses in the Huaihe River basin. Therefore, it is of great significance to the current cultural construction of the new socialist countryside, as well as the protection and utilization of the uique value of the local historical folkways, cultural inheritance, and intangible cultural heritage in the new period.