传统与现代视野中的身体想象与女性解放——论鲁迅与张恨水小说中的女性形象

Physical Imagination and Women'Liberation in Traditional and Modern Vision:Women Image in Lu Xun's and Zhang Henshui's Novels

20世纪是一个动荡不安的时代。为了实现富国自强,女性作为一股长期被忽视的力量得到前所未有的重视。不少"五四"女青年完成了由贤妻良母到新女性的转换,从幕后走上社会大舞台,以实现救亡图存的理想。鲁迅以个性解放、人道主义开启了中国人对新的身体存在形式的构想。张恨水则写了一系列女性积极谋生的作品,在一定程度上是对女性"出走"以后怎么办的解答。可以说,鲁迅是客观、清醒地思考女性命运的,但由于未能完全摆脱传统的男性视角,而无法真正进入女性的内心世界;张恨水则填补了鲁迅留下来的空白,他从女性立场去书写女性内在的精神创伤,并回答了"出走"以后怎么办的问题。

The 20th century was a turbulent era. In order to strive for a prosperous and self-reliant country, women, who had been ne-glected for a long time, got unprecedented attention. Many young women with the spirit of ＂May 4th Movement＂ completed the transition from mother of the family to mother of the country, stood out from behind to the society, and practiced their dreams to save the nation from subjugation and ensure its survival. Lu Xun opened up Chinese people＇s new conception of the existence of the body form by personal liberation and humanitarian idea：Zhang Henshui wrote a series of works that women actively made a living These works gave answer to how these women were supposed to do after running away It can be said that Lu Xun reflected on female destiny objectively and clearly. But his failure to completely get rid of the traditional male perspective made him have no access to the entrance to the real inner world of women. Then Zhang Henshui filled the gaps left by Lu Xun. He wrote the inherent trauma of women from women＇s position.