从“人神以和”到“大音希声”——试论中国美学史上音乐美的发现

From Harmony of Gods and Human to Rare Voice of Big Sound——About the Discovery of Musical Beauty in the History of Chinese Aesthetics

音乐美的起源问题是一个重要的美学问题,可从中国原始图腾歌舞的"神人以和"的分析开始,探讨中国音乐史上的音乐美起源的问题。春秋战国"乐"破"礼"而出,标志着音乐形式美的独立,到了魏晋,王弼提出"大音希声"的美学思想,标志着音乐美真正的理论发现。

Study on the origin of musical beauty, as an important issue in terms of aesthetics, may begin with the analysis on the Harmony of Gods and Human of the totem dance of primitive China, with discussion on the origin of musical beauty in the history of Chinese music. During the Spring and Autumn and Warring States Period, the emergence of music out of rites marked the independence of the form beauty of music. During the Wei - Jin period, WANG Bi put forward his aesthetic ideology of Rare Voice of Big Sound, marking a real theoretical discovery in terms of the musical beauty.