摘要
民国时期,政局动荡,各种社会文化思潮交织碰撞,影响到我国汉族社会生活层次的方方面面。人们的穿着习俗也在发生着剧烈的变装,特别是汉族女装经历了从传统到现代,从复古到创新的多元化风格格局,在承续传统“上衣下裳”的服装基本搭配样式上再生出民族化符号性质的服饰形态——“倒大袖”与旗袍,服饰风俗上“除旧纳新”,风格上呈现出“中西混搭”的新风尚。民国汉族女装在多元思潮影响下,传统文化的回归与西风东渐的双重浸染.塑造出广泛认可的服饰审美风尚,具有鲜明的服饰文化的民族符号意义。
During the period of the republic of China, political instability, a variety of social and cultural trends interweave collision affect the level of Han China's social life aspects. People wearing custom also in the event of a severe drag, especially the Han couture styles has experienced from traditional to modern, from ancient to innovation. In the inheritance of the traditional "coat and skirt" basic clothing collocation style regenerate National Costume " big sleeves" and cheongsam dress customs, "in addition to the old and add new style", showing a mix of Chinese and Western" fashion. The Republic of China Han women's dress influenced by the pluralistic trend, double dip regression,the blend of Oriental Culture and Western culture, create a widely clothing aesthetic fashion, is a national symbol meaning of costume culture.
关键词
民国
汉族女装
服饰嬗变
社会风尚
The republic of China
The han nationality women's dress
Dress evolution
Social fashion