摘要
中国古代没有散文诗,它是一种"舶来品"。被认为是中国现代散文诗的开山鼻祖的沈尹默,一生共创作了十八首现代诗。他的诗歌贯穿了中国古典诗歌的诗学理论,又有古代"赋"体的影子,意象、意境兼容、押韵和工整对仗随意变化;同时又受二十世纪西方新兴文学思潮的影响,表现出英美意象派诗歌和法国象征主义诗歌的特征。他的散文诗不拘一格,语言上打破形式格律的束缚,彰显二十世纪初"民主"、"自由"和"科学"的主题;在直觉状态下回归诗歌的本真,呈现出返朴归真、妙然生趣、虚实相生和节奏和谐等诗性意义。
Prose poems didn't exist in ancient China, and there was only something called "exotica". Shen Yimo, regarded as a pioneer of Chinese modern prose poems, has composed all together eighteen modern poems throughout his life. His poems demonstrate the poetic theory of Chinese ancient poems. They are something like ancient "Fu", with both images and artistic conceptions, and the flexible change of rhymes and neat and orderly antithesis sentences. They are also influenced by the emerging literary trend of thought in the 20th century and manifest the characteristics of .British and American imagism poetry and French symbolism poetry. His prose poems, without restraint of style, are free in forms of meters, driving home to readers the theme of "democracy", "freedom", and "science", returning intuitively to the essence of poetry and thus showing the poetic features of coming back to purity and delicate charm and harmonious rhythm.
出处
《浙江工商职业技术学院学报》
2014年第4期31-35,共5页
Journal of Zhejiang Business Technology Institute
基金
2014年湖州师范学院校级科研项目"沈尹默与中国现代散文诗"(编号2014XJKY14)阶段性研究成果