洞见与不见:论王国维古雅说对康德美学的接受策略及其启示

On the Reception Strategy of Wang Guowei's Classic Elegance Theory to Kant's Aesthetics and Its Enlightenment

王国维建构古雅理论时借鉴了康德美学,却用中国传统的形式观置换了康德美学的先验形式观。这个误读一方面源于异质文化之间的不可通约性,同时也是王国维对康德美学的一个创造性诠释。正是基于这个误读,王国维得以摆脱康德先验本体论思想的限制,对康德美学进行了合理有效的补充,由"不见"中产生"洞见"。

While his classic elegance theory is based on Kant＇ s aesthetics, Wang Guowei replaced Kant＇ s transcendental form with traditional Chinese form. This misreading is due not only to the incommensurability be- tween different cultures but also to Wang＇ s innovative interpretation of Kant＇ s aesthetics. It was just based on such a misreading that Wang could break away form Kant＇ s transcendental ontological philosophy and even supplement Kant＇s aesthetics effectively in a reasonable manner. In a word, ＂blindness＂ has brought about some ＂insight＂.