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从明代宫廷审美看漆画发展 被引量:1

Look into lacquer painting development from the Ming dynasty court aesthetic
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摘要 明代,运用天然漆进行纹样描绘的漆画大量出现在宫廷建筑装饰、室内陈设、日用器具等方面,具有极强的观赏性与实用性。漆画的运用能够与所处空间的摆设、装饰风格形成一个有机整体,相互呼应,更为宫廷再添奢华,满足帝王的审美需求。本文试图通过分析明代各阶段帝王审美及变化,从而探讨出明代宫廷漆画的不同艺术特征。 In the Ming Dynasty , a large number of paintings that used lacquer to depict patterns ap-peared in the court building decoration , furnishings and household appliances , with strong aesthetics and practicality .Paintings formed an organic whole with furnishings and decorative style in their space , which echoed each and added more luxury to the palace to meet the aesthetic needs of the emperor .This paper at-tempts to analyze the aesthetic changes of various stages of the Ming Dynasty emperors , so as to explore dif-ferent artistic features of the Ming court Lacquer .
出处 《中国生漆》 2014年第4期26-27,共2页 Journal of Chinese Lacquer
关键词 明代 宫廷审美 漆画 Ming Dynasty court Aesthetic Lacquer painting
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同被引文献4

  • 1康定斯基.点线面[M].重庆:重庆大学出版社,2011:1.
  • 2杜安·普雷布尔.艺术形式[M].山西:山西人民出版社,1992.
  • 3木心,陈丹青.木心文集[M].广西:广西师范大学出版社,2012.
  • 4韩湘烨.浅谈漆画艺术的语言表现形式[J].剑南文学(经典阅读)(上),2012(1):175-175. 被引量:1

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