摘要
明代,运用天然漆进行纹样描绘的漆画大量出现在宫廷建筑装饰、室内陈设、日用器具等方面,具有极强的观赏性与实用性。漆画的运用能够与所处空间的摆设、装饰风格形成一个有机整体,相互呼应,更为宫廷再添奢华,满足帝王的审美需求。本文试图通过分析明代各阶段帝王审美及变化,从而探讨出明代宫廷漆画的不同艺术特征。
In the Ming Dynasty , a large number of paintings that used lacquer to depict patterns ap-peared in the court building decoration , furnishings and household appliances , with strong aesthetics and practicality .Paintings formed an organic whole with furnishings and decorative style in their space , which echoed each and added more luxury to the palace to meet the aesthetic needs of the emperor .This paper at-tempts to analyze the aesthetic changes of various stages of the Ming Dynasty emperors , so as to explore dif-ferent artistic features of the Ming court Lacquer .
出处
《中国生漆》
2014年第4期26-27,共2页
Journal of Chinese Lacquer
关键词
明代
宫廷审美
漆画
Ming Dynasty
court Aesthetic
Lacquer painting