论芥川龙之介小说的叙事视角——以《竹林中》《报恩记》和《袈裟与盛远》为例

The Narrative Perspective on Akutagawa Ryunosuke's Novels —— “Bamboo”, “Gratitude” and “Jia Sha and Sheng Yuan” as Examples

日本短篇小说家芥川龙之介在其小说创作中有意识地采用了多种叙事策略,尤其对不同叙事视角的娴熟运用,为小说增添了耐人寻味的审美艺术效果。作者在《竹林中》采用了转换式和多重式内聚焦相结合的叙事视角,在《报恩记》中使用了转换式内聚焦,在《袈裟与盛远》中使用了多重式内聚焦,不同叙事视角的使用也为文本带来了不同的艺术魅力。

The Japanese novelist Akutagawa Ryunosuke adds up aesthetic effect for his novels by using consciously various narrative strategies. In the“Bamboo”, he uses the narrative perspective of combination of transformation and multi-type internal focus; In “Gratitude” he uses conversion type internal focus and in “Jia Sha and Sheng Yuan”, he uses multi-type internal focus. Different perspectives bring the text different artistic charming.