摘要
中国北方草原青铜饰牌艺术是北方草原早期游牧文化的重要遗存,本文试从饰牌造型之构图和形象两方面分析草原饰牌的构图艺术。从实用的视角分析饰牌构图满、繁的原因;从取景的视角、大小对比与节奏方面分析其构图形象。因为构图是涵盖几乎所有造型艺术之重要因素,所以对中国北方草原青铜饰牌构图的研究,有利于比照和启迪对其它中国北方草原造型艺术门类的深入研究。
China's northern grasslands bronze decoration art is one of the most important remaining northern prairie in the early nomadic culture. This article analyzes from two aspects of grassland decoration art , one is modelling composition ,the other is image. From the perspective of practical ornaments composition to analyze why it is full and numerous. From the perspective of view, size and rhythm to analyze the composition and image. Because the composition almost covering all of the important factors in the plastic arts, so the study of China's northern grasslands bronze decoration art is advantageous to the comparison and enlightenment to the further study of other Chinese northern prairie plastic arts categories.
出处
《内蒙古大学艺术学院学报》
2014年第4期111-116,共6页
Journal of Art College of Inner Mongolia University
关键词
中国北方草原
青铜饰牌
构图
形象
China's northern grasslands Bronze decoration Composition Image