朱光潜与“审美主义文学思潮”

Zhu guangqian and the "Aestheticism Literary Trends"

在现当代文学思潮研究中,"审美主义文学思潮"被频频提及,论者在挪用作为哲学、社会思潮的"审美主义"与"文学思潮"相接合时往往缺少必要的学理论证,导致其所指人言人殊。"审美主义"是对文学思潮在逻辑类型上的分类,是理论模型而非客观实体,而"审美主义文学思潮"架构中的朱光潜被简单地定位为审美主义文学规范体系的奠定者,或古典主义的现代余孽。朱光潜在20世纪三、四十年代的文学活动不是偶发的天才独白,而是在与群体性审美话语的互动对话中产生的,并通过编辑、批评等活动与众多审美话语一起,构成文学现代性方案中的一极;更为重要的是朱光潜的"审美主义"通过审美经验理论的学理论证,显现出独立于文学自律论和文学工具论两大文学进路的学术品格,成为"审美主义文学思潮"中极具理论生命力的声音。

＂Aestheticism Literary Trends＂has been mentioned many times in the study of modern literary trends, but there is no academic rethinking when they remove such philosophic or social words into literary trends study, and make it useless. In fact,＂aesthetism＂is a kind of category which based on the logic types of literary trends, it is a theoretic model but not a historic object.On the other side, Zhu guangqian in＂Aestheticism Literary Trends＂is identified as its founder or modern type of classic.Zhu guangqian′s literary activicities in last century are not genuis′monologue but produced by intervening into the groups of aestheticism discourses and becoming a pole of literary modernity;Zhu guangqian′s＂aesthetism＂is based on his theoretic demonstrate on aesthetic expercice, distinguished with the theories of literary autonomy and literary tools, and becomes a powerful voice in ＂Aestheticism Literary Trends＂.