摘要
世本《西游记》从四个层次上分别呈现了"吃神",即妖魔对唐僧肉与灵丹妙药的觊觎与贪恋;"神吃",即仙家享受百姓的祭祀供奉;"吃人",即妖魔的以吃人为生的邪恶性与恐怖性;"人吃",群众在除妖之后的请吃,以及作为特殊个案猪八戒的贪吃。通过对不同维度"吃"的释义,"吃"的概念在小说中的特殊意味可以被揭示出来;同时,在哲学评判的基础上,尝试着对中国历史文化心理结构与机制作一个反思。
This article demonstrated and analyzed the eating divine from the four dimensions: (1) the eating divine, demon's covetous of Tang Priest's flesh; (2) immortal's eating, enjoying sacrifice from masses; (3) eating human beings, symbolizing evil and horror, and (4) masses~ eating, expressing congratulations after wiping out demons, and pigsy's gluttony as an indi- vidual case. By interpreting the significance of eating in different contexts, we try to reveal the particular implications from the concept of eating in this novel and at the same time, we can reflect the construction and mechanism of historical-cultural psychology based on a philosophical assessment.
出处
《衡阳师范学院学报》
2015年第1期75-79,共5页
Journal of Hengyang Normal University
基金
国家重大攻关课题"西方道德哲学通史研究"(12&ZD122)
安徽省高等教育振兴计划项目(2014SZKMSGZS016)
安徽省社科联资助项目(A2014045)
滁州学院本科教学质量与教学改革工程项目(2014jyy38)阶段性成果
关键词
《西游记》
吃
历史文化心理
批判
Pilgrimage to the West
eating
historical-cultural psychology
criticism