摘要
法国作家勒克莱齐奥的散文集《大地上的陌生人》用诗意的语言叙述了一个神秘小男孩流浪在城市和海边,寻找白天极致光线的一天。他的写作中始终贯穿着一种强烈的目光,这目光不仅来自观看的主体,也来自主体周遭的世界和那无所不在的光线。这目光具有多质又统一的意义结构,其力量显现的方式与西方传统凝视机制中的目光在本质上不同:力图超越理性与科学对主体/客体、灵魂/肉体、人类/自然之间的二元对立,等待界限的模糊和消失,不断重新出发进入事物本身,开启心醉神迷的诗意感官之旅。本文将借助法国哲学家梅洛-庞蒂的生命现象学理论,通过分析文本并与西方传统凝视机制进行对比来展现作家目光的结构特点以及他回归存在与意义本源的写作,即不带任何目的的写作,让生命自身自我展现。
Le Clézio＇s collection of essays The Stranger on the Earth describes with poetic language a mysterious little boy wandering in the city and at the sea, looking for the ultimate light in the day. An intense gaze runs throughout his writing; It comes gaze not only from the observer, but also from the world around, and that ubiquitous light. It is a heterogeneous and at the same time unified meaning structure, whose representation of power is in essence different from that of the gaze in Western tradition, for it attempts to transcend the binary oppositions between subject and object, soul and body, and man and nature resulting from the opposition between reason and science. This article will use the French philosopher Merleau-Ponty＇s theory about phenomenology of life to analyze the text. By comparing the writer＇s vision with the Western traditional gazing mechanism, the article will show the structural characteristics of the writer＇s gaze and his way of writing： Writing with no purpose, letting life itself show, so that mancan go back to the origin of life and meaning of existence.
出处
《外国文学研究》
CSSCI
北大核心
2014年第6期57-66,共10页
Foreign Literature Studies
基金
武汉大学"985工程"学科建设专项经费资助
