论明代八股文中的七子派秦汉古文宗尚

On the Writing Fashion of the Qin Han Style Prose in Ming's Eight-Legged Essay

从属于官方文献的会试录序、大臣请正秦汉文体的奏疏和七子派成员的科考策语记录,再从七子派成员的秦汉文教学措施、教学效果和八股文选本,又从七子派成员的八股文作风和八股文风尚变迁的反映,可以明确看到,前后七子派尚辞而流于晦涩的秦汉文宗尚已进入明代八股文的风尚写作中,并成为与唐宋文宗尚一直相对峙的八股文写作路线。七子派和唐宋派的对立,不只在古文层面,还在与明代文人命运休戚相关的八股文层面。

From the emperor official＇ s documents, for example, the preface of the imperial examinations record, the minster＇ s memorials which requested the emperor to rectify the style of Eight-Legged Essay, and the examination questions of the Seven Giant School, and from the teaching patterns, teaching results and the selected works about Eight-Legged Essay, and from the style of Eight-Legged Essay and the reports about the style change of Eight-Legged Essay, we can draw an conclusion that the Qin Hart style prose of the Seven Giant School had gone deep into the writing fashion of Eight-Legged Essay in the Ming Dynasty, and it had established a writing route which was opposed with the Tang Song style prose. The dispute between the Qin Han Style Prose School and Tang Song Style Prose School was not only in the field of ancient style prose and also in the field of Eight-Legged Essay, and the latter was so closed to the future of the scholars in the Ming Dynasty.