摘要
在"无地之爱"展览中,黄孙权提出对地点、建筑、乌托邦与社会运动的叙事策略,以及它们在社会性空间中相互联结的可能。所展出的四件作品,揭示出艺术行动者如何从创作者的主体,转变成与田野成为共同生产者的团体协作过程——从对具体地点之爱到无地之爱。这些作品可以分为两组:《乌托邦出柜》为一组,《我们家在康乐里》、《日常生活的一天》,"复岛"系列为另一组。
"U-TOPOPHILIA" PROPOSES a narrative strategy regard- ing place, architecture, utopia, and social movements, as well as the possibilities of connection in social space. Huang Sun Quan's projects reveal the transformation of artists and activists from indi- vidual subjects to collaborators, as well as the evolution of affection for specific places into a love of no place in particular.
出处
《艺术界》
2014年第6期58-61,共4页