威尔第歌剧《奥赛罗》的角色塑造与生成语境(上)

On the Role Shaping and Generating Context of Verdi's Opera“Otello”

文章共时性地将威尔第歌剧《奥赛罗》解释为三个并列人物——雅古、苔丝德蒙娜、奥赛罗——之间的交叉与对峙,并由此出发,通过历时性的音乐解析,对每一个角色的音乐话语呈现方式、音乐话语渗透过程和由此而导致的戏剧存在方式,以及角色性格的音乐表现特质予以阐发。最终,将作曲家的写作之锚投射至社会-文化话语系统之中,阐发了威尔第角色塑造与当时的社会意识形态、生活观念之间所产生的话语互动和流通,进而勾勒出交织于浪漫主义时期的——现实、女性、情感——之三个表现世界。

This paper synchronically analyzes Verdi＇ s opera ＂Otello＂ as the cross and con- frontation of three juxtaposed characters： Jago, Desdemona, and Otello. Stemming from this viewpoint, the paper elucidates each role＇ s musical discourse presentation methods, penetration processes, the resulting dramatic existence approaches and role personality＇ s musical performance characteristics. Finally this article locates the composer＇ s writing in the social-cultural discourse system, discusses the discourse interaction and circulation resulted from Verdi＇ s role shaping and social ideology as well as life concept of the time, then outlines three representation worlds-reality, women and emotion--which were interwoven in the Romantic Period.