摘要
本文对苏州博物馆新馆和中央美院象山校区中"框景"的应用进行详细的阐述,分别从景框自身可以为景以及如何取景两方面入手,并结合实例,总结归纳了"框景"所起的空间转折、空间限定与渗透和空间层次方面的作用。"框景"是中国古典园林中典型的造景手法之一,为探索中国古典园林对新中式建筑的多元化发展有一定的指导和借鉴意义。
This paper introduces the application of "Entrained Scenery" in the new Suzhou Museum and the Chinese Academy of Xiangshan Campus in detail from the two perspectives of taking the frame as a scenery and how to select an appropriate scenery. Combined with examples, this paper sums up the functions of space in its transtion, limit, permeation and level. "Enframed Scenery" is one of the typical landscaping approaches that being used in Chinese classical garden, thus this paper will provide certain guidance and reference significance in exploring the diversified development of New Chinese architecture influenced by classical Chinese garden.
出处
《中外建筑》
2014年第12期57-59,共3页
Chinese & Overseas Architecture
关键词
“框景”新中式建筑
空间转折
空间限定与渗透
空间层次
"enframed scenery" new Chinese architecture
transtion of space
limit and permeation of space
level of space