洛特曼的电影语言与艺术本文—以电影《英雄》为例

Lotman's Film Language and Artistic Text——Taking the Film Hero as an Example

洛特曼从文化符号学出发,将艺术本文同样视为电影符号学的核心概念。电影艺术本文不是一个固定的客体,而是一个多种关系的组合,是一个复杂的、多语的、开放的符号系统和交际系统。洛特曼在研究电影语言时,并没有局限于电影语言系统的结构分析,而是运用了动态的艺术本文概念,去探索电影的意义生成机制。以《英雄》为例,从电影艺术本文的复杂性与多语性、谎言性与电影艺术的重构、电影艺术本文的复制与创造三个方面去深入研究洛特曼的电影符号观,诉诸感性知觉意象的同时,追寻电影意义的符号化表达。

From the perspective of cultural semiotics, Lotman regards the artistic text as a key concept in the semiotics of cinema. The artistic text is not a fixed object, but a variety of multiple relationships, and is complex, muhilingual and open as a semiotic system and a system of communication. In terms of the dynamic artistic text, Lotman explores into the generative mechanism of meaning for cinema instead of being stuck in the structure analysis of the film language system. This paper, taking the film Hero as an example, researches into Lotman＇ s view of semiotics of cinema from three aspects of complexity and multilingualism, falsehood and reconstruction, replication and creation for artistic texts, and explores the symbolization of cinema by appealing to sensory images.