摘要
美国华裔作家邝丽莎以中国在美国的代言人自居,认为自己笔下的中国是真实可信的。然而,从后殖民主义理论出发对邝丽莎的历史小说进行文本解读和分析,不难发现邝丽莎笔下的中国呈现两种意象:西方话语体系下的"野蛮中国"和"竹幕"之后的"红色中国"。此外,邝丽莎笔下的中国人依然笼罩在"他者"面纱之下。可见,邝丽莎以中国为背景的小说并不具有代表意义。
Chinese American writer Lisa See regards herself as the representative of China in America and states that China in her novels is real, even to Chinese. The paper queries her statement and points out the two images of China in her novels, that is, Uncivi- lized China and Red China. Besides, Chinese in her novels still turn out to be ＂the self＂. Clearly, Lisa See＇ s novels, with China as its background, are not representative.
出处
《华北水利水电学院学报（社会科学版）》
2014年第6期127-130,共4页
Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)
基金
2014年度河南省教育厅人文社会科学研究项目<新生代美国华裔作家邝丽莎的作品研究>(2014-qn-412)阶段性成果
