摘要
纵观近六十年的赵松庭笛艺研究,大体上可以分为三个时期。第一个时期,自1956年至2001年,这一时期,主要侧重对赵松庭生平的研究和对其部分作品的分析。第二个时期,自2001年至2003年,这一时期的文章主要集中在通过对赵松庭的哀悼对其在笛艺方面的贡献作全面的评价。第三个时期,自2003年至今,这一时期的研究从各个不同的角度对赵松庭笛艺作较为客观的阐述。这些研究主要从笛曲创作、演奏风格、笛艺教学、笛子制作等角度对赵松庭笛艺作全面而深刻的探讨。
The six decades of research on Zhao Songting’ s flute art can be divided into three periods. The first period from 1956 to 2001 focused primarily on the research on Zhao Songting’ s life and analysis of part of his works. The second period from 2001 to 2003 focused on the condolence on Zhao Songting and a comprehensive evaluation of his contribution to the flute art. The third period from 2003 till now makes an objective research on Zhao Songting’ s flute art from different perspectives. These studies make a comprehensive and profound discussion of Zhao Songting’ s flute art mainly from perspectives of the flute music creation, performance style, flute teaching, flute making and so on.
出处
《浙江艺术职业学院学报》
2014年第4期22-26,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
赵松庭研究
笛曲创作
演奏风格
笛艺教学
笛子制作
research on Zhao Songting
flute music creation
perfromance style
flute teaching
flute making