摘要
中国古代连环画在漫长的发展过程中一直以一种隐性状态依附在各种造型形式和文本载体之中。从最初的春秋、战国时期的青铜器上的装饰纹样到明清时期的"回回图",其体裁形式不断演绎变化。同样的,随着社会的不断变迁、文化的逐步繁荣,中国古代连环画的题材内容也从对事件的单纯性记录发展成为对文学作品内容的一种极具观赏性的图像化体现。中国古代连环画在自身不断发展中形成了多种多样的形式体裁,产生了丰富多彩的题材内容。
s: In the long process of development, Chinese ancient comic book has always been in a recessive state at-tached to a variety of modeling forms and text carriers.From the decorative patterns on the bronze ware in the Spring-Autumn, Warring States Period to the Ming and Qing Dynasties’ “Hui Hui image”, its style and form has been constantly derived and changed.Similarly, with the ever-changing society and the gradual flourishing of culture, the subject matters and contents of Chinese ancient comic book has been developing from simple record of events into a highly ornamental visualizing reflect of the content of the literary works.Chinese ancient comic book has formed varies styles, produced a rich and colorful theme contents in its continuous development.
出处
《浙江艺术职业学院学报》
2014年第4期102-109,共8页
Journal of Zhejiang Vocational Academy of Art
基金
浙江省文化厅2011-2012年度文化科研项目<中国连环画纵横考>结题成果之一。(项目编号:zjwh-2011-7)
关键词
中国
古代
连环画
形式体裁
题材内容
China
ancient
comic
style and form
theme and content