摘要
美国芝加哥学派的克兰(Crane,R.S)以读者反应的角度作为自己理论的介入点,其理论上承亚里士多德的语言修辞学理论,下启韦恩·布斯以读者为本位的小说修辞理论。借助对"模仿"、"情节"和"形式"等经典术语的重新阐释,克兰提出情节是人物、行动和思想组合而成的具体形式,且这种形式能够对读者的情感及其思想产生影响效应。本文将在与俄国形式主义、法国结构主义以及英美小说理论的理论比较分析中,对情节的本质、建构原则与修辞效果进行阐释,从而展现克兰情节理论的独特性:伦理批评的情节观。
Crane.R.S of American Chicago school takes reader＇s response as a interventional point in his theory. Crane＇s theory inherits Aristotle＇s theory of language rhetoric and lays the foundation for Wayne Booth＇s fiction rhetoric theory based on readers. Through the reinterpretation of ＂imitation＂, ＂plot＂, ＂form＂ and other classic terms, Crane puts forward that plots are concrete forms combined by characters, actions and thoughts, and these forms can have impacts on readers＇ emotion and thoughts. Based on the com- parative analysis of Russian formalism, French structuralism and theory of British and American novels, this paper will explain the na- ture of plots, construction principles and rhetorical effects, thus, to reveal the uniqueness of Crane＇s plot theory, namely, concept of plot of ethical criticism.
出处
《中国文学研究》
CSSCI
北大核心
2015年第1期15-19,共5页
Research of Chinese Literature
关键词
情节
模仿
形式
伦理修辞
plot
imitation
form
ethics rhetoric
