摘要
绘画理论和文章学理论有着密切联系且同属艺术理论范畴,在建构和发展过程中相互启发、借鉴和渗透。文章学理论在构思立意、章法布局、艺术风格等方面都不同程度借鉴绘画理论,起源于人物肖像画的"形神论"也给文章学理论直接启发,设色、点染、勾勒、布势、气韵、皴擦、阴阳向背等绘画技法术语也被植入文论生发新的涵义。援用画论以论文对建构文章学理论具有重要的意义和作用。
Painting theory and traditional article theory are both belonging to art theory and they are mutually inspired, learned and infiltrated during the process of construction and development. 'Fo some extent, traditional article theory learns the coneeption, the structure and the art style from painting theory. The "theory of form and spirit", originated from portraiture, inspires traditional article theory directly. The terminologies of painting techniques such as: shese (colour), dianran (add details to a painting), goule (draw the outline), bushi(disposition), qiyun(charm), cunca(light-ink strokes), yinyangxiangbei(the facing and backing of Yin and Yang), are brought into traditional article theory which have created new meanings. By learning from painting theory so as to comment on articles, it is of great importance to the construction of traditional article theory.
出处
《中国文学研究》
CSSCI
北大核心
2015年第1期74-78,共5页
Research of Chinese Literature
基金
广东省哲学社会科学"十二五"规划2014年度学科共建项目(GD14XZW13)
2014年广州大学哲学社会科学科研项目"青年博士"专项课题(201408QNBS)的阶段性成果
关键词
文章学理论
绘画理论
谋篇布势
形神
article theory
painting theory
planning the structure
the "theory of form and spirit"