论中国现代报告文学的叙事聚焦

A Study of Narrative Focus on Chinese Modern Reportage

零聚焦、限制聚焦与转换聚焦,从叙事聚焦的层面上对中国现代报告文学进行了理论廓清。三种聚焦方式在线性历史流变中呈现出的从单一而逐渐多元化的趋向,指认了报告文学求新求变的文体生命力,更确证了报告文学对社会关注面的逐步扩大化及其介入现实的文体功能的不断强化。而感知性聚焦之外的事实,则需要由认知性聚焦进行有效补充,以发挥报告文学的文体使命。

A theoretical clearance is made of Chinese modern reportage from the perspective of zero focus, limita- tion focus, conversion focus, and the level of the narrative focus. The three kinds of focuses show the trend from a single form to a gradually diversified one in the linear rheology in history, identify the vitality of literary style and innovative ideas in reportage, and also confirm its gradual expansion of social concern and the constant strengthening of the involvement in the reality of the stylistic functions. However, the facts beyond perceptive focus need to be complemented by an effective cognitive focus in order to give full play to reportage style mission.