路斯住宅空间的公共性与私密性

The Openness and Intimacy of Interiors of Adolf Loos

20世纪90年代,彼瑞兹·克罗米娜发表《秘境与奇观:阿道夫·路斯的室内》一文,探讨了路斯住宅建筑中的视线控制和随之产生的心理暗示。笔者对该文进行了批判性回顾,并在此基础上重新分析路斯住宅空间中的视线设计,探讨了它与剧院空间的相似之处。通过比较分析一系列路斯设计的住宅空间,揭示出他基于空间私密性的不同要求而逐层设计住宅室内的策略:空间的开放程度随着私密性需求的增加而减弱。与此同时,通过对路斯相关建筑文本的解读,进一步分析了其住宅设计的立场。

In the 1990s, Beatriz Colomina, in her noted article ＆quot;Intimacy and Spectacle：the Interiors of Adolf Loos,＆quot; discussed the sight line control and its resulting psychological implications in the interiors designed by Adolf Loos. Along with a critical review of this article, this essay offers a new analysis of Loos’s sight line design and how it resembles theater space. By examining a series of the residential space designed by Loos, I will argue that Loos developed a diverse strategy in responding to the different needs for intimacy in a home：the spatial accessibility and openness diminishes with the increasing needs for privacy. A close reading of the relevant essays by Loos included in this essay will also help illustrate his architectural position.