自由结构 柯宅

Free Structure Ke House,Ningbo

文章通过5个方面展示了柯宅从设计到建成的思想脉络。柯宅延续了春晓砖宅的"自由结构"思想,是其第二个原型。设计试图开启另一种结构的组织方式,探讨光与结构融合的可能性。整个柯宅内部弥散着均质的漫射光,只有在有限时段才会出现内部的直射光。柯宅还采用了"无"结构的手法,在内部与外部形成风、光、水的渗透,而这些被引导的自然元素经过精心组织,进一步形成了新的抽象形式,即光缝、断路、空梁等。柯宅与砖宅一样,具有不可质疑的内向化,而这些特殊的"光带"则试图与外界建立一个抽象的景观联系,从"有限的室内"转向"无限的室内"。

Divided into five parts, this article demonstrates the intellectual development embodied in the process from design to completion of the Ke House, which can be seen as a second ＇prototype＇ of the idea of ＇free structure＇ embodied in the Brick House in Chunxiao Town. The design attempts to open up an alternative way of structural organization and explores the possibility of integrating light into structure. The entire interior of the Ke House is permeated with consistent refraction, and only for a limited period of the day can the light penetrate the interior without refraction. The Ke House also adopted a ＇structureless＇ approach, which makes it possible for wind, light and water to seep through. Such natural elements, carefully led into the building and organized accordingly, have proceeded to form new abstract forms including glass slit, truncated pathways and hollow beams. The Ke House, like the Brick House, comes with an unquestionable inward-looking tendency. The special ＇stripes of light＇, however, try to establish an abstract, landscape connection with the outside world, thus transforming from a ＇limited interior＇ to an ＇unlimited interior＇.