论“士匠结合”的明清江南私家园林叠石

On Stone Piling of Private Gardens in Regions South of the Yangtze River During Ming and Qing Dynasties

明清江南私家园林叠石文化达到了中国古典园林叠石文化的最高境界,是中国古典园林文化的精髓。思想派"士人"在叠石意境层面,通过著作、绘画创作来注重文人画意、文人画理和文人画境;技术派"匠人"在叠石实践层面取法山水画,不断提高自身叠石技巧。思想派"士人"与技术派"匠人"有机结合,创造了独树一帜的江南私家园林叠石文化。"士匠结合"不断发展,形成专业化、系统化的队伍,在一定程度上体现了类似现代设计团队的职能。

The stone piling culture of private gardens in regions south of the Yangtze River during Ming and Qing Dynasties, the essence of Chinese classical gardening culture, has reached the peak of Chinese classical stone piling culture. Intellectuals with artistic thoughts focused on the creation of artistic atmosphere, logic and scene through their writings and drawings while technical artisans improved their stone piling skills through drawing upon landscape painting skills. The combination of thoughts of intellectuals and technique of artisans has given rise to the unique stone piling culture of private gardens in regions south of the Yangtze River. The combination has developed gradually and formed a specialized and systematic team, which, to a certain extent, reflects the similar functions of modern design teams.