摘要
本篇文章从历史的视角回顾了2014年威尼斯建筑双年展的议题,即在一个缺乏地域多样性的全球化和扁平化的世界中,对去繁就简之后的建筑"基本法则"的执念,以及对由意大利后现代主义或反现代主义建筑师保罗·波多盖西策展的首届威尼斯建筑双年展的追随除马西米利亚诺·福克萨斯策展的2000年双年展之外,往届所有的威尼斯建筑双年展均倾向于鼓推国际风格的明星建筑,对提高建筑原有的生态、社会以及文化品质——这些会球化进程中建筑的实质问题则漠不关心。
The current paper retraces the agenda of the Venice Architecture Biennale of 2014 in historical perspective - that is its adherence to the belief in reductive, ＂fundamentals＂ of a globalized ＂flat＂ world devoid of regional diversity- to the first Architecture Biennale directed by the Italian postmodern, or anti-modern, architect Paolo Portoghesi, With the exception of Massimiliano Fuksas＇s Biennale of 2000, the Biennales have tended to promote the idea of international style ＂star architecture＂ oblivious to what should be the real concerns of architecture in a globalizing world： enhancing what remains of its ecological, soda] and cultural quality.
出处
《世界建筑》
2014年第11期24-27,共4页
World Architecture
