摘要
花丝镶嵌实为"花丝"和"镶嵌"两种制作技法。花丝部分是将金、银、铜作为原料,运用掐、填、攒、焊、编制、堆垒等传统技法拉成丝。传统的花丝工艺发展到现在已经出现了停滞不前的现象。而要想使这门传统的工艺在现代社会传承并发展下去,是需要我们摆脱传统工艺的物化表象,进入深层的精神领域去探寻的。
Filigree inlay is divided into two kinds of production techniques of ＂filament＂ and ＂mosaic＂. Filaments are made of gold, silver, copper, and use the traditional techniques of pinch, fill out, save, welding, compiling, heaps and others. But the traditional technology of filaments had stopped in the modern society. In order to make the traditional craft get inheritance and develop smoothly in modern society, we need to get rid of the physical object representation of traditional process and seek into the deep spiritual realm.
出处
《设计》
2015年第1期86-88,共3页
Design
关键词
花丝
传承
创新
Filament Inheritance Innovation
