摘要
言说自然是张炜一直以来的审美追求,童年有关自然、"野地"的记忆总在都市繁忙和压抑的生活之外带给他一缕缕清幽的芳香。因此,"融入野地"便成为其自然而然的精神归宿,野地的抒写显现的是作者融情于自然的山水浪漫,也昭示了齐鲁大地所弥散的不同而旨归一致的文化气韵。而创作中对现实的介入却在字里行间蔓延着无处逃遁的文明焦虑。
Natural description has been Zhangwei’s aesthetic pursuit in his works. The memory of childhood about nature and fields has been leaving him a bit of fresh fragrance out of busy and stressful urban life. Therefore, integrating fields naturally becomes his spiritural home. The praise and description to the fields reveal the author’s romantic feelings and culturally artistic conceptions different in form but consistent in purpose, which cover through Shangdong Province but the reality intervention in his creation spread cultural anxiety between the lines.
出处
《铜仁学院学报》
2014年第6期77-80,共4页
Journal of Tongren University
关键词
张炜
《刺猬歌》
浪漫
焦虑
文化
Zhang Wei
Hedgehog Song
romance
anxiety
culture