杜夫海纳论绘画空间的时间性

Dufrenne's Views on Time and Space in Paintings

杜夫海纳认为绘画空间具有时间性,他对绘画空间时间性的阐述,始终把握绘画作品的运动与意义。绘画作品内在于材料的运动和走向意指作用的运动,生成意义并吸引欣赏者积极参与意义的探寻,在运动中,实现绘画空间的时间性。绘画作品通过色彩、节奏与旋律的运动,实现物与我的双向呈现与开放,从而使绘画空间时间化。

Dufrenne thinks that painting space has the property of time whose interpretations always focus on motion and signification in the paintings. Two kinds of motions are embodied in the paintings： one is inherent in the materials and the other indicates the signification. Those two motions generate meanings and guide appreciators to explore the meanings actively,and concurrently the paintings acquire the property of time with motions of the color,rhythm and melody to achieve a two- way presentation and interaction between the objective material world and the subjective ＂I＂world.