论余华小说《兄弟》中文革叙事的手法特征

On the Narrative Technique of Yu Hua's Brothers in the Context of the Cultural Revolution

在小说《兄弟》的创作中,余华几乎用了全书三分之二的笔墨描写"文革"这个特殊时期,而其余三分之一则是在为"文革"期间发生的故事做铺垫。余华的文革叙事沿用了常用的儿童视角进行展开性的描写,但这种儿童视角已经是经过他的多部作品发展后的创作方式,有了一些不同以往的特点。在儿童视角的描写下,辅以群体的"狂欢化"描写和冷静的"零度写作",让整部作品给人以耳目一新的感觉,读来深刻,引人深思。

Yu Hua depicted a lot of details of the story in the ＂Cultural Revolution period＂ in his Brothers, and the rest part of the story was the foreshadowing. Yu Hua continued to use the children＇s perspective to narrate the ＂Cultural Revolution＂, which changed a lot and with different characteristics. With ＂Groups＇ Carnival＂ and ＂Zero Writing Style＂, the description of this novel is profound and thought-provoking in the children＇s perspective.