摘要
"白黑黄"是藏羌彝走廊中一个远古民族保留的最原生形态的、最具有原始信仰的,并且坚持着信仰表达的文化,也是最古老的审美视象文化表述。审美人类学视角下,藏羌彝文化走廊中羌族白黑黄研究,涉及藏羌彝走廊文化的深度空间、时间及其审美事相研究。羌族的白黑黄信仰观及其白黑黄仪式群,蕴含着丰富的宗教、审美、艺术文化层,对于研究走廊文化中羌的巫师兼祭师本体释比的类别、释比主体表达信仰的方式、仪式、传承、变迁以及色彩事相的审美表达有着重要意义。
From the present investigated material, the＂white,black and yellow＂ is the primitive cultural of faith and belief expression in the most original form reserved by an ancient ethnic in Tibetan and Qiang and Yi Corridor, which is also the most ancient aesthetic visual cultural expression. In the aesthetic anthropology perspective, Qiang＇s white black and yellow studies involve space, time and aesthetic study of Tibetan and Qiang and Yi corridor culture. Qiang＇s White black and yellow Belief and its ritual group, contains a wealth of religious, aesthetic, artistic cultural layers. These are significant to study the categories of Qiang＇s shamans and priests Shibi, and the way, ritual, tradition, changes of Shibi＇s faith expression and aesthetic expression in the corridor culture.
出处
《地方文化研究》
2014年第5期29-35,共7页
Local Culture Research
基金
国家社科基金项目<羌族审美文化研究>(项目编号:14B2X105)阶段性成果
关键词
藏羌彝
“白黑黄”
信仰空间
审美表达
Tibetan and Qiang and Yi
＂White Black and Yellow＂
Belief space
Aesthetic expression
