摘要
太极图集美学与哲学为一体,是中国人智慧的结晶,被认为是一幅完美无缺的图案。文章对太极图所体现的圆文化、吉祥文化、美学思想进行了深入的研究,从圆文化、吉祥文化、美学思想的角度,分析太极图在清代团花图案中的思想渗透。研究表明:太极图圆形所蕴含的形象性寓意是影响清代团花图案的圆形造型的直接因素;太极图所包含的吉祥文化也渗透到清代团花图案的纹样取材中,使得纹样必有吉祥之深意;太极图的美学思想使得清代"喜相逢"式图案体现出美学中的运动美和对立与统一的法则。太极图文化在清代团花图案中的思想渗透赋予图案精美的艺术形象和丰富的文化内涵,这种思想渗透方法对现代图案设计具有一定的借鉴意义。
Taiji pattern which integrates aesthetics and philosophy is the crystallization of Chinese wisdom. It is described as the most perfect pattern. This paper deeply researches round culture,auspicious culture and aesthetics thought reflected in Taiji pattern. It analyzes the thoughts of Taiji pattern penetrated in round pattern in Qing dynasty from the perspectives of round culture,auspicious culture and aesthetics thought. The research believes that visual meaning contained in the round pattern is a direct factor influencing round modeling of round pattern in Qing dynasty.The auspicious culture contained in Taiji pattern also penetrates in pattern selection of round pattern in Qing dynasty so that the pattern has auspicious meaning. Aesthetic ideology of Taiji pattern makes "happy to meet"pattern reflect motion beauty and the law of opposite and unity in aesthetics. Thought penetration of Taiji pattern culture in round pattern in Qing dynasty gives the pattern elegant artistic image and rich cultural connotation. Such thought penetration has certain reference significance for designing modern pattern.
出处
《丝绸》
CAS
CSCD
北大核心
2015年第2期56-62,共7页
Journal of Silk
基金
教育部人文社会科学基金项目(09YJA760013)
江苏省规划办人文社会科学基金项目(08YSB003)
关键词
太极图
清代团花图案
圆文化
吉祥文化
美学思想
Taiji pattern
round pattern in Qing dynasty
round culture
auspicious culture
aesthetic ideology