从两份土地法文件看1946-1952年土改小说创作

Analysis on “Land Reform Novel” Writing from 1946 to 1952 Based on Two Land Acts

土地改革小说创作潮流是一种特定时代与题材的文学书写思潮,在二十世纪四五十年代伴随着土地改革运动而起。党的土地法规和土改小说作品的关系并不能用"图解政策"简单概括:从作品内容方面看,小说对法规表现方式分为只选取很小部分予以表现和完全不表现两种类型,且在表现过程中充满了作者对法规的思考;从创作过程看,作者普遍坚持以自身亲历的事件为作品的基础和主要材料,同时,为了正确地反映土地改革而时刻考虑法规要求。实际上,1946-1952年土改小说创作是在一个由政策、艺术和生活三要素构成的场域环境中进行的。

The trend of ＂land reform novel＂ writing is a form of literature expression characterized by a specific time and theme. It emerged in the 40s and 50s of the 20th century in the wake of the ＂land reform＂ movement. The relationship between Law Acts issued by the Party and literature works can not be arbitrarily defined as ＂The Interpretation of Policy＂. In terms of content, novels gave expression to the law in two differed forms, and were overflew with the authors＇ reflections on the laws and regulations; in terms of the writing process, most authors wrote the works based on their own experiences while showing persisted concern for the specifications of the law with a view to give truthful account of the Land Reform. As a matter of fact, analyzed from the Field Theory, the ＂land reform novel＂ writing from 1946 to 1952 was defined by the integration of policy, art and life.