摘要
爱伦·坡曾较为系统地阐发过其诗歌创作美学,而围绕小说创作美学所生发的理论观念则大抵流于支离破碎,这在很大程度上导致国内外爱伦·坡创作美学研究表现出"重诗歌轻小说"之偏颇现状。鉴于此,本文拟对坡的散见于各类报刊著述中的小说美学点滴加以发掘、补遗、整合,在此基础上提出爱伦·坡小说美学的四个核心层面——"真实观"、"寓意观"、"读者观"及"情节观",它们分别在"逼真"与"怪诞"、"明流"与"暗流"、"编码"与"解码"、"偏离"与"回归"之间寻求诗学上的辩证平衡。
Though Edgar Allan Poe systematically elaborated upon his poetical aesthetics,his theoretical concerns as regards fictional aesthetics remained more or less fragmented.To a large extent,this has brought about,either at home or abroad,the abnormal tacit agreement to 'the aesthetical precedence of Poe's poetry over his fiction'.Given the status quo,this article intends to excavate and synthesize the pieces and bits of Poe's fictional aesthetical ideas that are scattered amid various journals and papers,and in so doing,point out four important aspects—'Truth','Moral','Reader'and 'Plot',which are aimed respectively at a dialectical equilibrium of poesis between'verisimilitude'and 'grotesquerie','upper-current'and'under-current','encoding'and'decoding','departure'and'return'.
出处
《外国文学》
CSSCI
北大核心
2015年第1期51-61,158,共11页
Foreign Literature
基金
国家社科基金一般项目"爱伦.坡小说寓意发生的逻辑界面研究"(13BWW037)
江苏省"青蓝工程"
