摘要
以游记或观光记录式的语汇来描述电影以及观影经验,是中国早期电影评论与电影广告的常见策略。以这种策略完成的电影评论和广告,透露出早期中国电影观众在放映活动中以本土经验描述并接纳电影这一新型媒介与感知形式的倾向。早期电影放映活动引发的美学变迁,即表现为电影引发的时间感、空间感和速度感的变迁。电影放映活动提供了有关"虚拟旅行"的经验,引发了中国早期电影观众的兴趣、好奇心与激情,并具有商业和文化的双重意义。
Describing the movie viewing experience in forms of travel notes, was a common strategy in early Chinese movie comments and advertisements. This strategy revealed the tendency of early Chinese movie audience and reviewers, who tried to describe a new kind of media and the perceptual forms in early movie spaces by local cultural experiences. The perception forms of time, space and speed represented the profound aesthetic changes in Chinese early movie projections. Movie projections provided the experiences of 'Virtual tours', which aroused the interest, curiosity and excitement of Chinese audience, having both commercial and cultural significance.
出处
《东方论坛(青岛大学学报)》
2015年第1期56-61,共6页
Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基金
教育部人文社会科学研究青年基金项目"电影院与中国现代城市文化"(11YJCZH237)阶段性成果
关键词
虚拟旅行
中国
早期
观影活动
感知方式
变迁
virtual tour
early Chinese movie viewing activity
form of perception