摘要
诗歌是语言的艺术,唐诗语言学批评立足于语言形式的分析,追寻其中深隐的情感意蕴与审美价值。而语言形式包括韵律、用字、造句、意脉、意象等各个方面,这正是语言学批评分析唐诗的主要途径。本文以杜甫七律《登高》为例,展示了语言学批评的基本思路,并由此探讨了语言学批评在唐诗研究中的基本原则,以及语言学批评与传统诗歌批评的不同之处。
Poetry is an art form of language. Predicated on the analysis of language form, the linguistic criticism of poetry of the Tang Dynasty aims to probe into the emotional implications and aesthetic value deeply embedded in Tang-Dynasty poems. Language form comprises rhythm, diction, sentence structure, coherence, et cetera, which readily provides the main outlet for literary criticism and literary analysis of the Tang poetry. Taking Du Fu' s seven-character regulated verse Climbing the High Terrace as an example, this paper puts forward the basic thought and framework guiding linguistic criticisms. Besides, the paper also presents a discussion on the basic principles of applying literary criticism to studies over poetry of the Tang Dynasty as well as the differences between linguistic criticism and traditional poetic criticism.
出处
《南阳师范学院学报》
CAS
2014年第11期32-35,49,共5页
Journal of Nanyang Normal University
基金
教育部人文社科青年基金项目(2012010041)
关键词
唐诗
语言学批评
《登高》
语言形式
情感内涵
poetry of the Tang Dynasty
linguistic criticism
Climbing the High Terrace
language form
emotionalconnotation