摘要
从赋法起源的"形似"说,在魏晋南北朝诗论、画论中得到了极大的发展,不仅确立了"文贵形似""以形写形,以色貌色"的审美观念,而且被诗人积极地运用于诗歌创作中。其中,尤以谢灵运为代表,其山水诗中使用的"形似"创作手法,与南朝山水画的艺术手法是相通的,都体现了以"形似"见长的空间感。
The notion of appearance likeness, which evolved from straightforward narration, developed very fast in poetic and painting theories in Wei, Jin, Northern and Southern Dynasties. New aesthetic standards were established and consciously employed by poets then, such as ＂advocacy of appearance likeness in literary creation＂ ＂appearance though appearance, colour through colour in paintings＂. The technique of appearance likeness used in landscape poetry, represented by poet Xie Lingyun, was quite similar to that of the landscape painting and both reflected spatial sense in appearance likeness.
出处
《唐山学院学报》
2015年第1期86-89,104,共5页
Journal of Tangshan University
基金
教育部人文社会科学青年基金项目(12YJC751005)
河南省教育厅人文社会科学研究项目(2014-qn-640)
关键词
形似
赋法
诗法
山水诗
谢灵运
appearance likeness
straightforward narration
poetics
landscape poetry
Xie Lingyun
