摘要
It was hard to go anywhere in Beijing in December 2014 without being assailed by posters advertising Chinese auteur Jiang Wen＇s latest movie Gone With the Bullets. I was drawn to the film＇s beautiful promotional material showing Jiang＇s character with one of the film＇s female leads adversadally juxtaposed against Ge You＇s character and another female character. I was also taken with the title, blend- ing associations of a rip-roaring old-fashioned romantic epic. interspersed with frequent bouts of gunfire.
A"deaf review"of Jiang Wen’s much maligned latest film Gone With the Bullets It was hard to go anywhere in Beijing in December 2014 without being assailed by posters advertising Chinese auteur Jiang Wen’s latest movie Gone With the Bullets.I was drawn to the film’s beautiful promotional material showing Jiang’s character with one of the film’s female leads adversarially juxtaposed against Ge you’s character and another
