摘要
Bringing the aspect of ＂gender＂ into translation studies, feminism gave fresh impetus to the ＂Cultural Turn＂ for translation studies in 1990s. Feminist translation theory puts forward its viewpoints on the role of gender and approves of translators＇ gender role in the interpretation of the original text. It seems that gender is of no more importance than other factors, such as nationality, class, and ideology of translators. Translation and women have been long associated with each other for they both occupy peripheral positions. The conventional view holding sway is that a translation is considered a secondary work dependent on, and subservient to, the original text, just as women are assigned dependent functions under patriarchal power. Unsatisfied with the notion that translator, translation and women are all relegated to the inferior class, feminist translators do their utmost to cast away the conventional sexism ideas in translation studies and social ideology. The core of feminist translation theory is： ＂identify and critique the tangle of concepts which relegates both women and translation to the bottom of the social and literary ladder＂ （Simon 1996：1）. In order to realize the dream to overthrow patriarchal domination and make themselves visible, feminist translators seek to emphasize their identity and ideological stance in the translation project. Feminist translators are no longer invisible. They have the right to revise, manipulate and occupy the source text. Feminist translation is nothing but the translators＇ creative treason from the perspective of feminism. The thesis first systematically summarizes the present feminist translation theories, followed by a detailed analysis of some gender-related translation issues, especially the relationship between language and gender. After the analysis of some cases from the feminist translators, different translation approaches adopted are explored to show the peculiar characteristics of feminist translation.
