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浅谈我对水彩画的认识

Introduction to My Understanding of Watercolor Painting
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摘要 水彩的材料特性能够激发艺术家的奇思妙想,创作水彩画的工具可谓朴素,只需用水调和颜料,可浓、可淡,可干、可湿。艺术家在创作时可以集中精力运用水与色的巧妙配合,或泼洒,或点染,或浸润,创造出千姿百态、韵味无穷的画面。水彩画"以水为媒介,以色来造型"的独特绘画语言是艺术家抒发情感的有效途径,从而也反映出艺术家的色彩感觉、气质、修养、性格特征等诸多信息。本文试图结合自己的创作体会,从水彩画绘画语言的审美特征入手,尝试分析水与色的运用,水彩与水墨之间的异同及互为借鉴,从而引申出艺术家借助水彩这种绘画语言进行创作时所蕴含的内在的精神诉求。 The materials properties of watercolor inspires the artist's ideas, the watercolor tool is simple, just mixed with water paint, thick, pale, dry, wet, artists can focus on when writing using water and color coordination, or splashing, touched, or infiltration, creating various images with a boundless lasting appeal. Watercolor painting "with water as medium, with color modelling" unique painting language is an effective way of artists to express emotion, and also reflects the artist's colors from feeling, temperament, accomplishment, personality traits, and so on. This article tries to combine his creation experience, from the aesthetic characteristics of watercolor painting language, and tries to analyze the use of water and color, the similarities and differences between water and ink painting and learn from each other and thus lead to the artist with the aid of watercolor painting language for writing this because of the inner spiritual pursuit.
作者 孙慧丽
出处 《北京印刷学院学报》 2015年第1期52-54,共3页 Journal of Beijing Institute of Graphic Communication
关键词 水彩 绘画语言 水墨 精神诉求 watercolour painting language Chinese inkpainting spiritual demand
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参考文献3

  • 1宗白华.中西美学论集[M].南京:南京大学出版社,2009.
  • 2刘汝醴,刘明毅.英国水彩厕史[M].上海:上海出版社,2000.
  • 3陈洁全.水彩创作论探索[M].广州:岭南美术出版社,2010.

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