摘要
巴托的"‘美的’艺术"一词很大程度上标志着以形式性为重要特征的现代艺术的诞生。康德在先验层面对纯粹形式的美作了阐释,确立了其无关乎认知、无关乎伦理的特征,为逐步走向独立的现代艺术提供了自身合法性的依据。在这一阐释的影响下,审美由传统的欣赏原则演变为现代艺术的构成性原则,而一种与此阐释密切相关、同时与之具有某种悖谬倾向的超凡绝俗的人生哲学——现代审美伦理——也因此形成,它在席勒的努力下给心灵分裂的世人以启示。
The phrase "beautiful art" created by Bartow, to a large extent, marks the birth of modern art which regards form as its important feature.On the transcendental level, Kant has interpreted pure beauty,analyzed that beauty has nothing to do with cognition and ethics, and provided reasonable foundation for modern art which has steadily stepped into independence.Upon the influence of Kant's interpretation, the traditional appreciation principle of aesthetics has evolved into the principle of con- struction of modern art, meanwhile modern aesthetic ethics, another life philosophy, closely related to as well as contrasted to Kant's interpretation,has come into being, and later in Schiller's efforts it has given enlightenment to people who suffered from soul fragmentation.
出处
《武汉理工大学学报(社会科学版)》
CSSCI
2015年第1期33-39,共7页
Journal of Wuhan University of Technology:Social Sciences Edition
基金
国家社科基金项目课题(10BZW002)
教育部人文社会科学研究青年基金项目(13YJC760057)
湖北省教育厅人文社会科学研究指导性项目(2011jyte276)
关键词
美的艺术
现代审美伦理
康德
席勒
beautiful art
modern aesthetic ethics
ant
Schiller